The intense color, rich textures and suggestive stains attempt to catch all the energy present in “Women of other Times”: Spaniards, and Creole, slaves, indians, tricksters and chandlers in which we find common features, Chileans, fighters, zealous, with or without fortune, builder of the same race. …women as the key element to decipher the social, economic and cultural development of Chile during the colonial times.

Comments: Montecatini.cl Art Gallery, Chile/ Photography: Claudia Penrroz / Reproduction: Montecatini.cl Art Gallery, Chile. www.montecatini.cl / Color separation: Andros Impresores

… the term atypical doesn’t fit him. Unpredictable is more appropriate. In a world with too many rules he reconciles without problems the benefits of different cultures and universes… When he needs to connect with “the poetic furies” he plays the drums and calls inspiration in this manner. He moves himself at maximal speed through existence as if each day be the last one.

Comments: Sonia Quintana Rojas / Photography: Andrés Poheler / Reproduction: Courtesy of the artist / Color separation: Andros Impresores

He deals …with the urban landscape, but not with that of the utopian city, the arcadia, the dreamt, idealized and sublimated space that the post-modern citizen of the large capitals recomposes in his desires. The artist is interested in the changing and uneven geography of the city, the mutating and imprecise cartography, the metamorphosing and ever changing architecture, the variability and unstable character of traces and textures from the temporal point of view, on which the modern city is built.

Comments: Patricia Velasco / Photography: Courtesy of Maddox Arts / Reproduction: Courtesy of Maddox Arts / Color separation: Andros Impresores

Shadows that mislead surfaces and become hidden images. Iconographies born from nature, but translated into the language of pictorial matter. A language where every gesture, understood as a simple oil stroke that generates a register of visual sensations of diverse perceptual intensities, confers significance to the image.

Comments: Carolina Abel Soffia / Photography: Francisco Salas / Reproduction: Courtesy of the artist / Color separation: Andros Impresores

…the work of Jeannette Priolli abandoned any references which might extrapolate the scope of the painting itself. It became …non-allusive, silently visual. …a deliberate ambiguity between form, color and background …gives way to a type of modulation, which mobilizes the entire surface of the canvas. …Simple geometrical elements, defined by the opposition between colors and black, invariably demarcate the margins of the paintings…

Comments: : Fernando Cocciarale / Photography: Jeannette Priolli / Reproduction: Courtesy of the artist / Color separation: Andros Impresores