Danilo Andrade de Meneses (Danilo Moveo) Parahiba, Brazil, (1986). Ordering biological noise, 2013
Tempera on canvas
1.30 x 0.90 m
Danilo Andrade Meneses is a Doctor in Neuroscience and an artist known as Moveo. He searches for patterns between his biological noise, expressed by his limbic system, and fractal geometries in his paintings. … He has been using Chaos Theory for 10 years to try to find these patterns. “Ordering biological noise” is a work that summarizes the nature of his research as a ScientistArtist.
Comentario: Danilo Andrade de Meneses / Photography: Luciana Urtiga / Reproduction: Courtesy of the artist /
Eduardo Santiere, Buenos Aires, Argentina, (1962). In my trip, 2015
Charcoal, colored pencil, scratching on paper
77 x 78 cm
Eduardo Santiere creates delicate abstract compositions on paper exclusively using graphite, colored pencil, and incisions in the work’s surface—a combined practice of marking and scratching. He is best known for using a needle to lance the paper and create linear patterns from lacerations. … his works appear to be both drawings and delicate sculptural reliefs. His compositions are typically minimal and feature small recurring motifs resembling circuitry and cellular structures. Santiere … sees his works as demonstrations of evolving networks and systems of language, urban sprawl, ideology, and biology—or “Bio-Constructions” as he describes.
Comentario: www.artsy.net / Photography: Courtesy of Eduardo Santiere / Reproduction: Courtesy of the artist and Gallery Herlitzka + Faria, Buenos Aires, Argentina
Valerie Brathwaite, Trinidad and Tobago, (1940).Untitled, 2014
Acrylic on concrete
33 x 22 x 4 cm
… works with images drawn in space. Her work resembles the shape of clouds or the course of a river; the contour of a hill or the curves of the wind. “What is seen is a game – a test – that does not escape the curiosity that leads the artist to generate links and points of union between the two-dimensional and the three-dimensional, based on color, shapes and the intersection of lines.”
Comments: Analy Trejo / Photography: Arturo Sánchez / Reproduction: Courtesy of the artist and Henrique Faria, New York, Argentina
Teresa Pereda, Buenos Aires, Argentina, (1965).Behind the Sun, 2006
Dirt runoffs on a steel plate
Dirt from Buenos Aires and Salta provinces
150 x 200 cm
Teresa Pereda’s art-its poetics and identity, its very substance-is the product of the earth (its opacity and resistance) and of the water (its fluidity and transparency) […] The artist captures on metal plates the (irregular) blotches and the (unfinished) signs of the earth-water alchemy. That means registering the traces left by the slow process of decomposition and recomposition that engine nature’s cycles.
Comments: Horacio Zabala / Photography: Michel Riehl / Reproduction: Courtesy of the artist and Gallery Herlitzka & Co, Buenos Aires, Argentina
Juan González Bolívar, Cúpira, Venezuela, (1978).Boundaries, 2024
Oil on canvas
50 cm x 50 cm
On the surface of his paintings we find that the delicacy of the stroke suggests certain organic elements and, superimposed along the plane -whether sinuosities or straight lines-, the balance on the ethereal navigates beyond a certain light that travels through the artist’s hand. These landscapes of the creator’s imaginary, include in the foreground certain memories of his first family events, through fantasy in the distance, elements that occur in any place or time already lived by him.
Comments: Gloria Milá de la Roca / Photography: Juan González Bolívar / Reproduction: Courtesy of the artist /
Alejandro De Narváez, Bogotá, Colombia, (1961).Flight, 2024 Serie Hummingbirds
Mixed technique. Gold and silver threads
150 x 100 x 18 cm
“The legend says: When a hummingbird comes to greet you, it’s because someone who carries you inside and has gone away, is coming to greet you. This series of hummingbirds is precisely about that, they are rays of light and color that come to accompany each of us … the spectators who engage in the work making it their own.’
Comments: Alejandro De Narváez / Photography: Alejandro De Narváez / Reproduction: Courtesy of the artist /
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