Gina Intveen Pérez, 1966. Talcahuano, Chile
Water and Marina (2013)
Acrylic on canvas
20 x 20 cm
To think that my work transmits the power of the moment is my passion… Water is the principle of life and I portrait its earthly guardians, sometimes blind, at times focused, only symbols at last.
Comments: Gina Intveen Pérez / Photography: Héctor Aguilar Codd / Reproduction: Courtesy of artist and Collection Dolly Rios Castillo, Antofagasta, Chile / Color separation: Andros Impresores
José Ismael Rivera Torres, 1956. Bogota, Colombia
Comfort Zone (2018)
Oil on canvas
80 x 80 cm
Artist Ismael Rivera explores, particularly through the use of new and unusual surfaces, the magic of everyday life. His work seeks to merely hint at an image through the creation of atmospheres generated by candid strokes and vivid colors, encouraging the viewer to address, interpret, and complete the work by themselves.
Comments: www.beatrizesguerra-art.com / Photography: José Ismael Rivera Torres / Reproduction: Courtesy of artist and Beatriz Esguerra Art / Color separation: Andros Impresores
Myra Landau, 1926-2018. Born in Romania, naturalized Brazilian and lived in Mexico.
Partitures, 1983
India ink and colored pencil on paper
18.5 x 28.5 cm
While born in Romania and well informed about European cultures, the years living in Latin America have led her to an identification with some aborigine cultures (Inca, mixteca) where fretwork and waving bands were the final synthesis of musical metaphors.
Comments: Raquel Tibol / Photography: Arturo Sánchez / Reproduction: Courtesy of Henrique Faria, New York & Buenos Aires / Color separation: Andros Impresores
Mario Gómez Vargas. Concepción, Chile, 1968.
The Empty Hope, 2017
Oil and mixed technique on canvas
115×135 cm
In my work, the sensation of passing by persists obsessively, which in turn takes me to place man, generally largely dissociated from his immediate surroundings, as if silently waiting for a permanent return of the objects its histories, as if having an inkling of the end of the events that many times have not even started.
Comments: Mario Gómez Vargas / Photography: Lorenza Gómez Martínez / Reproduction: Courtesy of the artist / Color separation: Andros Impresores
Carolina Convers. Barrancabermeja, Colombia, 1973.
Docile, 2012
Printing and enamel on acetate
90 x 90 cm
The artist attempts, in her words, “to propose a work outside its mandatory support, to propound a painting or an image far from conventionalisms and which will maintain all its characteristics; to seek that photography replaces the figure and to pretend that printing or the plotter honor their past –the press- and, therefore, etching in art.”
Comments: Revista Luxury Star No. 30, 2012 / Photography: Ernesto Monsalve Escobar / Reproduction: Courtesy of the artist / Color separation: Andros Impresores
Martha Isabel Escovar, Bogota, Colombia, 1953.
Encounter, 2017
Oil on canvas
177 x 147 cm
As women we always have the option of blossoming. Life requires it, at times it demands it. These are proofs that appear in moments of happiness or sadness. Or simply when vital goals are met. It is for this reason that the “Eternal Feminine” cannot be the archetype of the modern woman. All this made me understand that the woman’s nude goes further than the perfectionist expressions of her forms or the vulgarization of her body.
Comments: Martha Isabel Escovar / Photography: Andrés Felipe Escobar / Reproduction: Courtesy of the artist / Color separation: Andros Impresores
Regiane Martinez, Sao Paulo, Brazil, 1966.
Wishes, 2016
Oil on canvas
80 x 80 cm
Regiane Martinez paints with the soul. Her works are carried without previous planning – the inspiration comes in general from a palette of colors. …Her art, as a form of expression, emits emotions – Her sharp sensitivity allows a great affinity with the whirlwind of feelings she expresses on her canvasses.
Comments: Pedro Santi / Photography: Lucas Rubini / Reproduction: Courtesy of the artist / Color separation: Andros Impresores
María José Benvenuto, Santiago, Chile, 1990.
City, 2017
Acrylic on canvas
150 x 200 cm
Through irregular and spontaneous tracings, I build a fluid and organic universe that escapes my own will, leaving space to a controlled fate that operates as a metaphor of life itself: I propose an intention, distribute the materials, choose the colors. …the piece acquires its own existence; grows and expands at its own rhythm developing the specificity that makes it unrepeatable.
Comments: María José Benvenuto / Photography: María José Benvenuto / Reproduction: Courtesy of the artist / Color separation: Andros Impresores
Carla Paola Bertone, Buenos Aires, Argentina, 1975. Resides in Berlin, Germany
Iteration IV, 2018
Acrylic on wood
50 × 50cm
Claudia Bertone looks for the transparency in the of color, using a variety of rhomboidal, polyhedral and star shaped morphologies in order to generate a homeopathic chromatism, only visible through accumulation.
Comments: Claudio Iglesias / Photography: Carla Paola Bertone / Reproduction: Courtesy of the artist / Color separation: Andros Impresores
Jaime Gili, Caracas, Venezuela, 1972. Lives in London, United Kingdom
a163 Tulse Hill Superstar, 2009-2014
Acrylic on canvas
210 × 225cm
I grew up in Caracas at the peak of a very singular local modernity in art and architecture, in a tropical and multicultural city full of urban art and great architecture, full of optimism and character; a city built by artists and architects working together in a single dream fuelled by a strong oil economy. I started my art studies in Caracas as I witnessed the slow dismantling and ruin of some of the city’s best institutions, buildings and urban art.
Comments: Jaime Gili / Photography: Courtesy of Jaime Gili Studio / Reproduction: Courtesy of private collection / Color separation: Andros Impresores
Ana Blanco, Caracas, Venezuela, 1973. Lives in Madrid, Spain
Nucleus, 2010
Oil on canvas
120 x120 cm
“Nucleus” is a portrait of a society; as if you would take an aerial photo of Madrid, and it would be translated as a sociological scheme that illustrates diverse elements within that city. Elements that join and divide like cells, which in this process appear to work together, in a symbiotic manner, within this ‘nucleus’.
Comments: Ana Blanco / Photography: Ana Blanco / Reproduction: Courtesy of the artist / Color separation: Andros Impresores
Marta Minujín, Buenos Aires, Argentina, 1943
Thinking about space, 2011
Mixed Technique
100 x 105 cm
Marta Minujin develops a work that has the spectator as the principal protagonist. Her art wants to be an art of impact; she intends to impress the public through the senses, involving them in ludic activities or in surprising and unexpected happenings.
Comments: xxx / Photography: Arturo Sánchez / Reproduction: Courtesy of Henrique Faria, New York & Buenos Aires / Color separation: Andros Impresores
Address
P.O.B 51842, Caracas 1050 A – Venezuela
Phone: (+58-212) 9917525; 9923224
Camino El Alba 9500, Torre B, Oc. 323, Las Condes, Santiago, Chile CP.7600830
Phone: (+56) 582386092; 582386090;
(+56-9) 63914970
Contact
interciencia@gmail.com
interciencia@revistainterciencia.org